Micro Brute is the tiny analog synth with vast possibilities. Based on the award-winning designs of its brother, the Mini Brute, the Micro Brute puts all the essential building blocks of an analog classic into a package thats pure hands-on fun. If you´re new to synths, you´re looking at one of the easiest to use & most unique sounding synthesizers we think money can buy. & if you´re a synth veteran, we think it won?t have escaped your attention that Micro Brute is also a seriously capable semi-modular sequence-able beast. Wait till you hear how it sounds. Rip woofers from their housings with bass. Spend years coaxing different pads, leads, effects, wave-folded growls, vintage tones, modern tones, punchy drum kits & glittering sequences. Process audio. Sequence analog gear. Give your modular a new LFO & Envelope Generator. Hook up to your DAW & make whole tracks. Hook up to your Drumtracks, open your door, & play a whole gig. Tiny in size, tiny in price, huge in sound, & vast in potential. We´ve had so much fun with Micro Brute: Now it´s your turn. ANALOG POWER The voice path on Micro Brute is 100% analog. This makes for superior sound quality & warmth. The Micro Brute will inspire your tracks. The purity of signal allows it to sit in the mix well. VINTAGE SOUND WITH MODERN CONNECTIVITY The Micro Brute means that you can connect to vintage gear via standard 1-Volt per octave CV/ Gate. The MIDI In jack makes the Micro Brute the perfect sound module expansion to a MIDI rig. The USB/MIDI interface will allow your Micro Brute to connect with your favorite software application. This combination of interfaces makes Micro Brute a great companion to a monolithic modular system, a classic MIDI equipped keyboard or a modern laptop. OSCILLATOR The oscillator is the heart of the Micro Brute & it does not disappoint. It features 3 waveforms that are mixable. This means that you can shape the sound in limitless ways not found on any other synths. Along with the SAW, TRIANGLE & SQUARE waves, Micro Brute features waveshapers which modify & animate the sound, to create an even wider pallet of sonic possibilities. The new Overtone Oscillator will generate additional harmonic content, ranging from one octave down to a fifth above the base Oscillator pitch. The Sub>5th control will allow you to continuously sweep spectrum. Never has a single oscillator synth sounded so big. STEINER-PARKER FILTER The Steiner-Parker filter helps to give the Micro Brute its unique sound. This filter design was first used on the classic Synthacon synthesizer in the 1970s. With Low pass, Band pass & High pass modes, you will not find more filter personalities from any other synth in this price?even in many synths at 3 or 4 times this price. STEP SEQUENCER Our new step sequencer is a source of endless inspiration. You can step input notes & rests creating rhythmic patterns that you can playback & switch between. Transpose your sequences up & down using the keyboard & you will have a new composing tool that will open up fresh ideas. MOD MATRIX The Mod Matrix is a patchable system of modulation routing. This flexible scheme gives you not only new ways to create your own sounds, but it allows for excellent interfacing with a Minibrute or modular synths. Technische Daten 100% analoger Signalweg Steiner-Parker Multimode-Filter mit High-, Low- und Bandpass und regelbarem Tracking Bi-polare Steuerung per Hüllkurve Keyboard mit 25 Minitasten Oktavschalter für volle Transponierung regelbarer Glideparameter Arturias ausgezeichneter Brute Factor? Spannungsgesteuerter Oszillator (VCO) Oszillator Waveshaper:
- Ultrasaw für breite Schwebungen und Detune-Leadsounds
- Pulse Width für pregnante, nasale Sounds oder fette, modulierte Klänge
- Metalizer für harte und metallisch klingende Sounds Sub- und Overtone-Generator
- zusätzliche Obertöne von minus einer Oktave bis plus einer Quinte
- Sub>+ Quinte Spectrum Shaper Oszillator Mixer (Overtone, Saw, Triangle, Square) LFO mit drei Schwingungsformen und weitem Regelbereich
- Saw, Triangle, Square
- Frequenzbereich von 0.1 Hz to 200 Hz
- Synchronisierbar zu externer oder interner Clock ADSR Hüllkurve VCA mit GATE-Modus oder per Hüllkurve steuerbar Pitchbendrad Modulationsrad zur Steuerung von Filter Cut Off oder LFO Modulationstiefe Modulationsmatrix per Patchfeld ? Standard 1 Volt pro Oktave
- ENV (Hüllkurve) Out
- LFO Out
- Ultrasaw Modulator In
- Pulse Width Modulation In
- Metalizer In
- Overtone/ Sub Modulator In
- Filter Cutoff In
- Pitch In regelbarer Audioeingang für externe Signalquellen 3, 5mm Kopfhörer- und 6, 3mm Klinkenausgang CV/GATE Interface
- Pitch Out
- Gate Out
- Gate In MIDI Input USB (Universal Serial Bus) 2.0 Type B Anschluss Stepsequenzer
- Regler für Geschwindigkeit
- Tap Tempo Taster / Eingabe von Pausenwerten
- acht speicherbare Seuqnzen mit jeweils bis zu 64 Steps
- PLAY und RECORD Modus
- Synchronisierbar zu externer MIDI Clock über MIDI oder USB (Universal Serial Bus) Netzteil: 12 Volt DC, 1 Amp Center Pin + Gewicht: 1.750kg Abmessungen: 325x 221x 60mm Â